Cinematic Virtual Reality
Eric oversees the cine-VR department at Ohio University’s GRID LAB, where TheY haVE produced more than FIFTY immersive experiences since 2016.
Cine-VR - a melding of cinema and virtual reality - is an incredibly immersive, engaging new way to experience story, connecting with viewers in ways never before possible. Cine-VR represents a storytelling new horizon. While cine-VR content can be viewed on a computer screen, phone or tablet, it is only most fully experienced within an HMD or head mounted display. By putting on an HMD, the outside world is cut off, distractions are removed, and the viewer is completely immersed in the cine-VR story. As you turn your head, the content displayed adjusts seamlessly, providing the feeling that you truly are present in the cine-VR world. Sounds which come from behind you in the cine-VR world actually sound as if they’re coming from behind you. The audience is fully engaged with the content because the direction they look will affect which aspects of the story they are able to experience.
Eric directs the cine-VR branch of Ohio University’s GRID Lab, collaborating with the Voinovich School of Leadership and Public Service under the umbrella called OHIO-360. Since 2015, the GRID Lab has produced a wide variety of award winning cine-VR experiences.
OHIO PEACE OFFICERS TRAINING ACADEMY
“I think we’re just starting to understand the significance of this new medium,” says Williams, “Imagine the impact on a person if they remembered movies as if they were real life. That’s what we see happening with cine-VR.” Williams speculates that this type of memory recall differs from that of simply watching a scenario unfold in a traditional on-screen format, and that people remember Cine-VR stories as if they had lived them. “I first started to get a glimpse into that phenomenon when I heard people talk about their Cine-VR experiences,” Williams says. “They said things like, ‘Remember when we were on the bridge?’. You don’t say that with a movie. You say, ‘Remember that scene on the bridge?’. It’s a subtle difference, but I firmly believe that science will eventually discover that this technology is much more powerful than we currently understand.”
SEASoN TWO
Six episodes exploring police work in more depth and detail.
SEASON ONE
Six episodes highlighting a day in the life of four police officers.
“These cine-VR scenarios are the next best thing to real-world experience because officers are immersed in split-second decision-making, If someone makes a mistake while using virtual reality, it doesn’t have consequences in the real world.”
appalachian law enforcement initiative
The Appalachian Law Enforcement Initiative (ALEI) is an innovative training method that leverages the immersive, empathic qualities of virtual reality to improve law enforcement outcomes by reinforcing on-site de-escalation techniques. Distance, small populations, and low budgets often hinder law enforcement officers and communities in the Appalachian region who seek training and development. ALEI is designed to involve entire communities, bringing together law enforcement officers, community stakeholders and public administrators in a collaboration to reduce the use of force, teach de-escalation techniques and improve law enforcement outcomes for both the community and police.
THE CHET STORY
THE DION STORY
“Cine-VR is a powerful, low-cost tool that can be a model for the nation. It’s an extraordinary opportunity for the Appalachian region to lead.”
Medicaid Equity Simulation Project
The Medicaid Equity Simulation Project (MESP) was a multi-year, project that focused on creating and testing the use of virtual reality videos and simulations to address biases that may occur towards certain population groups when seeking medical care. Two series of videos were created at Ohio University’s GRID Lab.
the DESTINY STORY
The lula mae Story
The Destiny Story: Living with Addiction follows a 23-year old pregnant woman going through opioid addiction. The opioid crisis has significantly impacted the people of Appalachia, including pregnant women and their children. The rate of women addicted to opioids during pregnancy has quadrupled in 15 years, and in 2017, over 5,040 mothers in Ohio were addicted to illegal drugs at the time of delivery.
The Lula Mae Story: Diabetes in Appalachia follows a 72-year old woman living below the poverty line who struggles to manage her diabetes. Diabetes is a devastating disease that affects more than 30 million Americans. Suboptimal glycemic control is associated with severe microvascular (retinopathy, neuropathy, nephropathy) and microvascular complications (coronary artery disease, peripheral arterial disease, and stroke).
INDEPENDENT SHORTS
FOR THE LOVE OF GOD
Written by William Fowler (Coal, Milk & Honey) and directed by Eric R. Williams, this cine-VR short garnered two awards in 2021. For the Love of God stars Andi Figueroa and Seth Eggenschwiller.
Los Angeles Lift Off Film Festival
New York Nil Gallery International Media Festival
ICAN/HANNA International Media Festival
Short Sweet Film Fest
The Film Collective
AWARDS
Outstanding Virtual Reality Film - First Place Short Sweet Film Festival
Best Virtual Reality Award - First Place New York Nil Gallery International Media Festival
For the Love of God was produced at Ohio University’s Game Research and Immersive Design (GRID) Lab.
He loves me (not)
An adaptation of O. Henry’s short story The Currier, Eric again collaborated with William Fowler and second writer - Rusty Fields.
Eric cast Andi Figueroa, Beckie Brown and Seth Eggenschwiller (each of which who acted in other GRID Lab projects over the years). This piece explores how a story can be told in two different locations simultaneously — forcing the audience to choose which half of the 360-degree story they wanted to watch.
He Loves Me (not) played in three new media festivals in 2021:
Short Sweet Film Festival
The Film Collective
Cincinnati Indi Film Night
He Loves Me (not) was produced at Ohio University’s Game Research and Immersive Design (GRID) Lab.
Lost Broken Alone
Co-written and directed by Eric R. Williams, Lost Broken Alone, stars Beckie Brown and a soundtrack by the legendary dance music artist Moby. It was produced at Ohio University’s Game Research and Immersive Design (GRID) Lab.
This cine-VR experience received international attention by bending the minds of its guests at three specific film festivals:
Los Angeles Lift Off Film Festival
Cincinnati Indi Film Night
Real World XR Festival
AWARDS
Best use of Sound & Music in XR - Semi-finalist Real World XR Festival
Jordan Herron was the sound designer for Lost Broken Alone, and has worked with Eric on many of his cine-VR projects as a immersive sound recordist, sound editor and sound designer.
Moving In Moving On
Designed to explore 360-degree space in a confined area, as well as to explore the use of objects to create interior frames within that space , Eric directed this cine-VR film in 2020.
Starring Andi Figueroa and Seth Eggenschwiller, the experience was distributed across the United States in 2021:
Los Angeles Lift Off Film Festival
Cincinnati Indi Film Night
New York Nil Gallery International Media Festival
AWARDS
Best Virtual Reality Award - Honorable Mention New York Nil Gallery International Media Festival
Moving IN Moving On was produced at Ohio University’s Game Research and Immersive Design (GRID) Lab.
Re: Disappearing
An adaptation of M.E. Yankelevich’s short story of the same name, Eric wrote and directed his first cine-VR film in 2015.
Starring Kyli Macneal and Jakob Bottoms, this experience received international recognition in the following festivals in 2016:
Beeston Underground FilmFest – England;
Birmingham Underground FilmFest – USA
Buchheim Museum Exhibit – Germany
Cameroon Underground FilmFest – Republic of Cameroon
Munich Outdoor MiniFest – Germany
Museum Lichtspiele Kino – Germany
Saigon Underground FilmFest – Vietnam
Seattle Transmedia Film Festival – USA
Re:Disappearing was produced at Ohio University’s Game Research and Immersive Design (GRID) Lab.